WILL DOMINGOS
Will Domingos is a film editor working since 2014. His offline editing portfolio includes LGBTQIA+ narratives, docudramas, and debut features, with films screened and awarded at international festivals such as the Berlinale (Fogaréu, by Flávia Neves), FID Marseille (More Than I Can Recognize Myself, by Allan Ribeiro), Dok Leipzig (Paulistas, by Daniel Nolasco), Frameline (Dry Wind, also by Nolasco), Molodist (Mr. Leather), and Venice Days at the Venice Film Festival (Alma do Deserto, 2025, by Mónica Taboada-Tapia), winner of the Queer Lion Award.
He has received Best Editing awards for the films More Than I Can Recognize Myself and The Sacred Gang. In 2022, he was selected for Berlinale Talents, a highly competitive networking and talent platform organized by the Berlin International Film Festival, where he took part in the Editing Studio, a dedicated lab for emerging editors.
Will holds a master’s degree in editing from Kino Eyes: The European Movie Masters (Erasmus Mundus +), having studied at universities in Portugal, Estonia, Ireland, and Scotland. He is also certified in Avid Media Composer.
A member of the Paradiso Talent Network and the Brazilian Association of Audiovisual Editors (EDT), Will also develops his own projects as a screenwriter and director. His work has been selected for development labs such as Sesc Novas Histórias, Curitiba_Lab, and TorinoFilmLab Extended – Creative Production.
In addition to editing, Will Domingos offers services in color grading, trailer and promo editing, and DCP finalization and mastering. He is co-director of the production company Braço Filmes, alongside João Victor Borges.
Alongside his technical and creative editing work, he has served as a jury member at Cinesul – Ibero-American Festival of Cinema and Video, programmer for editions of Mostra UFFilme, and—drawing from his academic background focused on Queer Cinema—authored a piece for the New Queer Cinema showcase catalog and was a guest speaker at Derek Jarman – Cinema é Liberdade.